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Ryon (Skorz) > Taken just nine minutes after the first photo of this subject, the glow in the sky fades and the lights' reflection in the water grows stronger, and the orange of sodium lights begins to dominate the scene, except for the lone out-of-place mercury/florescent lamp in the middle of the bridge. The smaller aperture and longer exposure used in this shot increases the smoothness of the water's surface.
Ryon (Skorz) > The sun sets over lake Austin, the orange glow of the streetlamps matching the last rays of the sun as they reflect off the water. Sadly, the christmas-type lights strung across the bridge's arches have been off for the past few months. I plan on recreating this shot when someone gets around to fixing them.
Ryon (Skorz) > Downtown Austin at dusk. The lights of the buildings match the last illumination from the setting sun.
Ryon (Skorz) > Sadly, rush hour coincides with the setting sun in Autumn. The majority of these commuters will arrive home just as darkness settles in, an excuse, along with being too exhausted from their time-consuming drive to their affordable suburban castle, to pursure meaningful passtimes or hobbies. This relegates them to an evening of TV watching, the American passtime, suckling at the glass teat in a desperate attempt to stave off and distract them from their constantly gnawing feelings of inadequacy and existential angst.
Taken just nine minutes after the first photo of this subject, the glow in the sky fades and the lights' reflection in the water grows stronger, and the orange of sodium lights begins to dominate the scene, except for the lone out-of-place mercury/florescent lamp in the middle of the bridge. The smaller aperture and longer exposure used in this shot increases the smoothness of the water's surface.
Ryon (Skorz) > Taken just nine minutes after the first photo of this subject, the glow in the sky fades and the lights' reflection in the water grows stronger, and the orange of sodium lights begins to dominate the scene, except for the lone out-of-place mercury/florescent lamp in the middle of the bridge. The smaller aperture and longer exposure used in this shot increases the smoothness of the water's surface.
Taken just nine minutes after the first photo of this subject, the glow in the sky fades and the lights' reflection in the water grows stronger, and the orange of sodium lights begins to dominate the scene, except for the lone out-of-place mercury/florescent lamp in the middle of the bridge. The smaller aperture and longer exposure used in this shot increases the smoothness of the water's surface.
See photo in original gallery.
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